Posts Tagged ‘Indonesian writers’

Ubud encounters: Chauly, Godden, Wibowo explore identity

December 30, 2013

At the 2013 Ubud Writers and Readers Festival, Salena Godden, Agustinus Wibowo and Bernice Chauly talked about the art and science of the memoir.

All three writers spoke of their complex identities. Godden grew up in Britain with an Irish jazz musician father and Jamaican dancer mother. Chauly was born in Penang, Malaysia, to a Punjabi father and Chinese mother. Wibowo is an ethnic Chinese Indonesian who has written about his extensive travels, including lengthy stays in Afghanistan and China.

Wibowo was raised in the Chinese Buddhist tradition by his parents and taught to think of China as the ancestral homeland. In his most recent book, Titik Nol (Point Zero), he recounts a bizarre scene in his mother’s hospital room. With terminal patients, Indonesian hospitals will summon the approach clergy to minister appropriate rites. However, some of Wibowo’s relatives had converted to Christianity. “My mother’s sisters and brothers tried to baptize her on her deathbed on one side. On the other side, Buddhist monks were performing their rituals.”

During the Suharto years, Chinese language teaching was banned, and Wibowo’s parents took advantage of that in front of their children. “They spoke Chinese when they didn’t want us to understand.” In response to anti-Chinese discrimination under Suharto, his parents infused Wibowo with the idea of China as their ancestral homeland, and they sent him to school there. “But when I got there, I was just a foreigner,” Wibowo recalled, and that strengthened his Indonesian identity. “I used to root for Chinese teams in badminton competitions. But in China, I rooted for Indonesia.”

In the years since Suharto’s ouster, as part of Indonesia’s refomasi legal discrimination against Chinese has ended. “My father always wanted me to take his bones back to China when he died, to bury him in his homeland. He called it returning home,” Wibowo said. “When I asked him after refomasi, he wanted to be buried here. He said, ‘My home is Indonesia.’”

Bernice Chauly said that her father’s death cut her off from her Indian side as her mother moved back to live with her family. “I had a Chinese childhood, but I yearned to be Indian.” In her teenage Malaysian national indoctrination class, she did feel sufficiently tied to each community to apologize for both the Chinese and Indians’ enumerated abuses of Malaysia’s native bumiputera.

“Memoir comes from a great void, an emptiness,” Chauly, who curates Penang’s annual George Town Literary Festival said. Her book, Growing up with Ghosts, uses six different voices to tell its story. “If I hadn’t written this book I’d be haunted by ghosts,” Chauly said. “This book saved me.”

Poet and spoken word artist Salena Godden hopes that crowd funding can save her memoir, Springfield Road. The book follows Godden growing up as the “brown girl” in her school and wondering about her absent father, who, between cruise ship band gigs, visits her for a single day.

“I was craughing when I wrote the book,” Godden said, using the term she coined for the cross between laughing and crying. “When you read it, you’ll craugh after ten lines.”

Totally globalized native New Yorker and former broadcast news producer Muhammad Cohen is author of Hong Kong On Air, a novel set in his adopted hometown during the 1997 handover about television news, love, betrayal, high finance, and cheap lingerie. See his bio, online archive and more at www.muhammadcohen.com; follow him on Facebook and Twitter @MuhammadCohen.

Ubud encounters: Afghanistan for Afghans

October 21, 2013

Australian painter Ben Quilty and Indonesian writer Agustinus Wibowo told the Ubud Writers and Readers Festival in Bali how they each reached Afghanistan by different routes for different reasons. But following their stays, they both also reached the same conclusion: after a dozen years and thousands of casualties, it’s time for Afghanistan to solve its problems without foreign help.

Wibowo came to Afghanistan for the first time as a curious and footloose traveler. In Afghanistan as well as Pakistan, Wibowo said that since he came from Indonesia, people assumed he was Muslim. Telling them he was an ethic Chinese raised in the Buddhist tradition would either provoke suspicion or pointless debate, including attempts to convert him. “But I found the perfect answer,” Wibowo revealed. “When people asked if I was Muslim, I’d say, ‘Insy’allah’ [God willing].”

Later, Wibowo said he found an even better answer from Afghan imam. “He told me he was a member of the highest religion of all: humanity.”

Wibowo found a number of jobs in Afghanistan. For a time he was a photojournalist. “The first time I covered a bombing and I saw the bodies and blood, I couldn’t sleep for a week. But then it became routine.”

He noted that when foreign troops and aid workers first came to Afghanistan, they were welcomed. But by 2006, Afghans’ views had changed. “Billions of dollars are pumped into Afghanistan, but nothing has changed,” Wibowo said. He said there are “two worlds, Afghanis and expats,” noting,” Only 20 percent of the money poured into Afghanistan goes to locals.” The rest goes for foreigners’ salaries and benefits, along with materials from overseas. The ongoing frustration over foreign presence has led to a resurgence in support for the Taliban.

Wibowo, who has written three books about his travels in Central Asia and China, also warned, “We cannot impose first world concepts on fifth world countries.” He cited his experience as a consultant to a United Nations gender equity initiative where foreign feminists told local women in workshops that if their husbands got angry, they should question them about why they were angry. “The next day, the women came back with bruises.”

Ben Quilty went to Afghanistan in 2011 as the Australian War Memorial’s office al artist. Spending time with Australian troops, he found good people fighting a bad war. He bonded with many of the troops, and his works from Afghanistan remain on tour in Australia. He also found circumstances that fit today’s headlines.

“I went to Kabul to try to speak to the Australian embassy, and I couldn’t get in. I didn’t have the right passes. So I don’t know how Afghans are supposed to go get their papers fixed,” Quilty said, addressing Australia’s policy of turning away undocumented immigrants trying to land by ship.

“If we’re at war with a country and sending people there to try to make it safe, if that’s not a reason to take these people in, I don’t know what is.”

Totally globalized native New Yorker and former broadcast news producer Muhammad Cohen is author of Hong Kong On Air, a novel set in his adopted hometown during the 1997 handover about television news, love, betrayal, high finance, and cheap lingerie. See his bio, online archive and more at www.muhammadcohen.com; follow him on Facebook and Twitter @MuhammadCohen.

Ubud encounters: Uda Agus, Indonesia get social

October 13, 2013

At the Ubud Writers and Readers Festival in Bali, Indonesian short story writer Uda Agus told a story to illustrate how seamlessly digital media has blended with traditional culture. (Look for more from the festival, which runs through October 15, here and at Asia Times.)

Agus, a native of West Sumatra, told about a tragic day in the village when a teenager came running to his grandmother, screaming, “Grandpa has fallen out of a tree.”

“Quick, give me your mobile phone,” the grandmother said.

“Why?”

“I want to update my status from married to widow.”

Totally globalized native New Yorker and former broadcast news producer Muhammad Cohen is author of Hong Kong On Air, a novel set in his adopted hometown during the 1997 handover about television news, love, betrayal, high finance, and cheap lingerie. See his bio, online archive and more at www.muhammadcohen.com; follow him on Facebook and Twitter @MuhammadCohen.


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