At the 2013 Ubud Writers and Readers Festival, Salena Godden, Agustinus Wibowo and Bernice Chauly talked about the art and science of the memoir.
All three writers spoke of their complex identities. Godden grew up in Britain with an Irish jazz musician father and Jamaican dancer mother. Chauly was born in Penang, Malaysia, to a Punjabi father and Chinese mother. Wibowo is an ethnic Chinese Indonesian who has written about his extensive travels, including lengthy stays in Afghanistan and China.
Wibowo was raised in the Chinese Buddhist tradition by his parents and taught to think of China as the ancestral homeland. In his most recent book, Titik Nol (Point Zero), he recounts a bizarre scene in his mother’s hospital room. With terminal patients, Indonesian hospitals will summon the approach clergy to minister appropriate rites. However, some of Wibowo’s relatives had converted to Christianity. “My mother’s sisters and brothers tried to baptize her on her deathbed on one side. On the other side, Buddhist monks were performing their rituals.”
During the Suharto years, Chinese language teaching was banned, and Wibowo’s parents took advantage of that in front of their children. “They spoke Chinese when they didn’t want us to understand.” In response to anti-Chinese discrimination under Suharto, his parents infused Wibowo with the idea of China as their ancestral homeland, and they sent him to school there. “But when I got there, I was just a foreigner,” Wibowo recalled, and that strengthened his Indonesian identity. “I used to root for Chinese teams in badminton competitions. But in China, I rooted for Indonesia.”
In the years since Suharto’s ouster, as part of Indonesia’s refomasi legal discrimination against Chinese has ended. “My father always wanted me to take his bones back to China when he died, to bury him in his homeland. He called it returning home,” Wibowo said. “When I asked him after refomasi, he wanted to be buried here. He said, ‘My home is Indonesia.’”
Bernice Chauly said that her father’s death cut her off from her Indian side as her mother moved back to live with her family. “I had a Chinese childhood, but I yearned to be Indian.” In her teenage Malaysian national indoctrination class, she did feel sufficiently tied to each community to apologize for both the Chinese and Indians’ enumerated abuses of Malaysia’s native bumiputera.
“Memoir comes from a great void, an emptiness,” Chauly, who curates Penang’s annual George Town Literary Festival said. Her book, Growing up with Ghosts
Poet and spoken word artist Salena Godden hopes that crowd funding can save her memoir, Springfield Road. The book follows Godden growing up as the “brown girl” in her school and wondering about her absent father, who, between cruise ship band gigs, visits her for a single day.
“I was craughing when I wrote the book,” Godden said, using the term she coined for the cross between laughing and crying. “When you read it, you’ll craugh after ten lines.”
Totally globalized native New Yorker and former broadcast news producer Muhammad Cohen is author of Hong Kong On Air
, the contemporary story of a young woman who leaves her village in northern China to work in the factories of the south by young novelist Sheng Keyi. (See an 
move to 1920s London to run an antique shop inherited from Mr. Ma’s elder brother. 
, more difficult to understand, both as a literary work and a commercial choice. A fantasy work about a dysfunctional society of cat people stoned on reverie leaves, 
, Aldous Huxley’s tale of drug-addled utopia gone wrong published in the same year. Lao’s novel also anticipates another anthropomorphic critique of Communism, George Orwell’s 
, published a decade later. Eerily, 
Muhammad Cohen 